malapropism

noun — 3 senses

malapropism

nounalso spelled Malapropism

UK /ˈmæləpɹɒpˌɪzəm/ · US /ˈmæləpɹɑpˌɪzəm/

Etymology From the name of Mrs. Malaprop, a character in the play The Rivals (1775) by Richard Brinsley Sheridan + -ism. As dramatic characters in English comic plays of this time often had allusive names, it is likely that Sheridan fashioned the name from malapropos (“inappropriate; inappropriately”), from French mal à propos. Mrs. Malaprop is a classic example of a familiar comedic character archetype who unintentionally substitutes inappropriate but like-sounding words that take on a ludicrous meaning when used incorrectly.

1

The blundering use of an absurdly inappropriate word or expression in place of a similar-sounding one.

  • The script employed malapropism to great effect.
2

An instance of such use.

  • The translator matched every malapropism in the original with one from his own language.
  • The humor comes from all the malapropisms.
Derived terms
malaphor, malapropic
Related terms
examples of malapropisms, acyrologia, eggcorn, folk etymology, misnomer, mondegreen, phantonym, spoonerism

Malapropism

noun
1

Rare Rare form of malapropism.

  • M. Jules Lemaître has reproached Shakespeare for his love of Malapropisms. Those of Dogberry and many of his other low comedy parts are highly diverting buffoonery.1890 April, Andrew Lang, “The Comedies of Shakespeare. […] II. The Merchant of Venice.”, in Harper’s New Monthly Magazine, volume LXXX, number CCCCLXXIX, New York, N.Y.: Harper & Brothers, […], →ISSN, page 664, column 1:
  • That old wound to his pride and self-esteem was not yet closed. He had come thinking he could talk of it, even wanting to talk of his fettered condition, and—behold! he was shrinking away from this reminder by Aunt Juley, renowned for her Malapropisms.1920, John Galsworthy, “At Timothy’s”, in In Chancery (The Forsyte Saga; 2), London: William Heinemann, →OCLC, part I, page 12:
1 more example
  • But nobody will ever know the private history of a char. They keep nearly all their secrets to themselves. For this reason I am sure that, whatever novelists and dramatists pretend, they are not natural chatterboxes. Not all have black eyes or drunken husbands who occasionally arrive for a private quarrel or, in times of hardship for the hero, become comic brokers’ men. Their Malapropisms are few. They are frequently sturdy, silent, careful, and as dignified as wealthy aunts, who, by the way, are also with as little reason made ridiculous in some books and plays.1949, Frank Swinnerton, “Charladies”, in Tokefield Papers, Old and New, new and enlarged edition, London: Hamish Hamilton, →OCLC, part III, page 165:

Entry derived from the Wiktionary, under licence CC BY-SA 4.0 — authors: page histories for malapropism and Malapropism.