carp
verbEtymology
The verb is derived from Middle English carpen, karpe (“to chat, converse, talk; to chatter, gossip; to ask; to cry out, wail; to find fault, carp; to relate, tell; to recite; to sing”), and then partly: * from Old Norse karpa (“to boast, brag; to dispute, quarrel”), further etymology unknown; and * from, or influenced by, Latin carpere, the present active infinitive of carpō (“to harvest, pick, pluck; to criticize, revile, slander, carp at”), ultimately from Proto-Indo-European *kerp- (“to harvest, pluck”). The noun is derived from the verb. (Middle English carp, karp (“conversation, discourse, talking; spoken or written message or statement; meaning; news; poem; song; story”), from Old Norse karp (“bragging”), did not survive into modern English.)
1
To criticize or complain about a fault, especially for frivolous or petty reasons; to cavil.
- Here agayne Seruetto carpeth, yͭ God did beare the perſon of an Angel. As thoughe the Prophete did not confirme that whiche Moſes had ſaied: why doeſt thou aſke me of my name?1561 May 16 (Gregorian calendar), Ihon Caluin [i.e., John Calvin], “That there is Taught in the Scriptures One Essence of God from the Very Creation, which Essence Conteineth in It Thre Persons”, in [Thomas Norton], transl., The Institution of Christian Religion, […], London: […] Reinolde [i.e., Reginald?] Wolfe & Richarde Harison, →OCLC, 1st book, folio 34, recto:
- Enuie vvhy carpeſt thou my time is ſpent ſo ill, / And termſt my vvorkes fruites of an idle quill.c. 1580s (date written), C[hristoper] M[arlowe], “Elegia. 15. Ad inuidos, qaod fama poetarum sit perennis.”, in Ouids Elegies: Three Bookes. […], Middlebourgh [i.e., London: […] Thomas Cotes?], published c. 1640, →OCLC, signature [B6], verso:
4 more examples
- [W]ith your good countenance protect against the malice of euill mouthes, vvhich are alvvaies vvide open to carpe at and miſconstrue my ſimple meaning.1592 January 6 (date written; Gregorian calendar), Ed. Spencer [i.e., Edmund Spenser], “To the Right Worthy and Noble Knight Sir Walter Raleigh, […]”, in Colin Clouts Come Home Againe, London: […] T[homas] C[reede] for William Ponsonbie, published 1595, →OCLC, signature A2, recto:
- [I]f vve ſhould never cenſure vvithout great Reaſon or neceſſity, hovv ſeldom ſhould vve do it? […] [D]o vve not eagerly ſearch after, and greedily embrace all occaſions to do it? Is it not a pleaſant entertainment to us, to be carping and cavelling at any Body vve meet, at any thing vve ſee done?a. 1678 (date written), Isaac Barrow, “The Eighth Sermon. S. Matth[ew] 7. 1.”, in Several Sermons against Evil-Speaking, London: […] Brabazon Aylmer, […], published 1678, →OCLC, pages 58–59:
- My vvorthy friend, ne'er grudge an' carp, / Tho' Fortune uſe you hard an' ſharp; / Come, kittle up your moorland harp / VVi' gleeſome touch!1785 April 21 (date written), Robert Burns, “To the Same [Epistle to J[ohn] L[aprai]k, an Old Scottish Bard]”, in Poems, Chiefly in the Scottish Dialect, 2nd edition, volume II, Edinburgh: […] T[homas] Cadell, […], and William Creech, […], published 1793, →OCLC, page 95:
- [Edward Hyde, 1st Earl of] Clarendon's touch, where in his memoirs he speaks of Falkland, is simpler than in the History. But we will not carp at this great writer and faithful friend.1879, Matthew Arnold, “Falkland”, in Mixed Essays, London: Smith, Elder, & Co., […], →OCLC, page 207:
2
Obsolete To speak, to talk; also, to talk about a subject in speech or writing.
3
Obsolete To talk much but to little purpose; to chatter, to prattle.
- And some of them barke, / Clatter and carpe / Of that heresy arte / Called Wicleuista, / The deuelysshe dogmatista; […]1521–1522, John Skelton, “Here after Followeth a Litel Boke Called Colyn Cloute, […]”, in Alexander Dyce, editor, The Poetical Works of John Skelton: […], volume I, London: Thomas Rodd, […], published 1843, →OCLC, page 332, lines 548–552:
- And therwithall came curiouſneſſe and carped out of frame. / The audience laught to heare the ſtrife as they beheld the ſame.1557 August 10 (Gregorian calendar), [Henry Howard, Earl of Surrey; Thomas Wyatt; et al.], “A Praise of Maistresse R.”, in Songes and Sonettes, London: […] Richard Tottel, →OCLC, folio 84, verso:
1 more example
- Psha! thou carpest and carpest, and yet tell'st nought; in a word, What say'st thou to him?1825, T[homas] Doubleday, Babington. A Tragedy, Edinburgh: William Blackwood; London: T[homas] Cadell, […], →OCLC, Act II, scene iii, page 54:
4
Obsolete Of a bird: to sing; of a person (such as a minstrel): to sing or recite.
- Hys hart is to hy to haue any hap; / But for in his gamut carp that he can, / Lo, Jak wold be a jentylman!a. 1530 (date written), John Skelton, “Against a Comely Coystrowne, that Curyowsly Chawntyd, and Curryshly Cowntred, […]”, in Alexander Dyce, editor, The Poetical Works of John Skelton: […], volume I, London: Thomas Rodd, […], published 1843, →OCLC, page 15, lines 12–14:
- Then aye he harped, and aye he carped, / Till a' the Lordlings footed the floor; / But an' the music was sae sweet, / The groom had nae mind o' the stable door.1802, “The Lochmaben Harper”, in Walter Scott, editor, Minstrelsy of the Scottish Border: […], volume I, Kelso, Roxburghshire: […] James Ballantyne, for T[homas] Cadell Jun. and W[illiam] Davies, […]; and sold by Manners and Miller, and A[rchibald] Constable, […], →OCLC, 1st part (Historical Ballads), page 67:
5
Obsolete To say or tell (something).
6
Obsolete To find fault with (someone or something); to censure, to criticize.
- Albeit I doe knovve they [the speeches] vvill lie open to the cenſure of the youth of our time, vvho for the moſt part, are ſo over-gulled vvith ſelf-liking, that they are more then giddy in admiring themſelves, and carping vvhatſoever hath beene done or ſaide heeretofore, Nevertheleſſe I hope that all are not of one humour, and doubt not, but that there is diverſitie of taſtes, as vvas among Horaces gueſts; […]1605, M. N. [pseudonym; William Camden], “Grave Speeches, and Wittie Apothegmes of Woorthie Personages of This Realme in Former Times”, in Remaines of a Greater Worke, Concerning Britaine, […], London: […] G[eorge] E[ld] for Simon Waterson, →OCLC, page 177:
- [W]hen I ſpoke, / My honeſt homely vvords vvere carp'd, and cenſur'd, / For vvant of Courtly ſtile: […]1690, [John] Dryden, Don Sebastian, King of Portugal: […], London: […] Jo. Hindmarsh, […], →OCLC, Act IV, scene i, page 104: