pentimento
nounUK /ˌpɛntɪˈmɛntəʊ/ · US /ˌpɛntəˈmɛntoʊ/
Etymology [Alt: A blue-tinted painting of a man's bent neck, with a faint image of a woman's face in its background] Learned borrowing from Italian pentimento (“repentance, penance, penitence; remorse; change of opinion; correction; traces of a previous image or work in an artwork”), from pentìrsi (“to repent; to regret”) + -mento (suffix forming nouns representing the actions of verbs to which it is attached). Pentìrsi is derived from Latin paenitēre, the present active infinitive of paeniteō (“to cause to repent; to repent; to be sorry, regret”), from Proto-Indo-European *peh₁- (“to hate; to hurt”).
Art, Arts, Literature, Media, Publishing The presence of traces of a previous work in an artistic or literary work; especially (painting) an image which has been painted over but is still detectable.
- The companion of this picture is the Madonna dressing the Infant, with Joseph planing a board in the back-ground; a performance though inferior in style to the former, not less original from the pentimenti still discoverable in the two principal figures.1831, Henry Fuseli, edited by John Knowles, The Life and Writings of Henry Fuseli, volume 3, London:
- She thought of the painting in the shop, the pentimento. Her life, the one she had so carefully planned for herself had crumbled like the paint on the surface.2012, Lorraine T. Gilman, chapter 20, in Princeton Pentimento, Bloomington, Ind.: WestBow Press, Thomas Nelson, →ISBN, page 205:
1 more example
- [T]he presence of a pentimento is an extremely valuable entity which supports the conclusion that a painting is an original composition – so, by inference, therefore, refuting any later suggestion that the painting could be the work of a copyist, who would have been engaged upon copying an existing painting as seen! The identification of a pentimento in an artwork can occur in one of two ways: by analytical interrogation of the subsurface using penetrative radiation such as IRR or XRD, or by direct visual observation, where the overlaying paint has worn away […]2019, Timothy J. Benoy, William A. Edwards, Howell G. M. Edwards, “Evidence of Pentimenti for the Authentication of Paintings: A Challenge for Analytical Science at the Interface with Art History”, in Peter Vandenabeele, Howell Edwards, editors, Raman Spectroscopy in Archaeology and Art History, volume 2, London: Royal Society of Chemistry, →ISBN, page 33:
- Derived terms
- pentimentoed
- Related terms
- palimpsest